Album Review: Scurrilous by Protest the Hero

This is my first crack at a music review, so we'll see how this goes... Disclaimer: as much as I would love it, I'm not a musician (nor can I play an instrument, other than my voice--it counts!!!--though I'm sure I could learn if I tried and had the time/energy) so I'm not going into music-y jargon, since I'm only somewhat familiar with it. Scurrilous, the latest record from proggy metal Canadians Protest the Hero, came out in March this year, so it's not super-new. But I wanted to choose something by an established band that came out this year...and as far as recent music goes I've mostly been listening to relative unknowns for the most part this year, so it's one of the only albums that came out in the past six months that I've listened to a few times. Of course, I'll show the unknowns some love later on...I just need to get a feel for this.

Anyway, the opening anthem, "C'est La Vie," is a frenetic, campy, dance up and down the musical ladder, setting the perfect scene for the tone of the rest of the album. I think that one may just be my favorite, though "Tandem," "Dunsel," "Termites," and campy "Sex Tapes" also exemplify the best of Protest the Hero. The rest of the album flows in much the same vein, a fast-paced journey along the frets of the bassist and guitarist. at moments, the bass, often buried beneath the combined melodies of the two guitars, rises to the top of the track with a frenetic slap rhythm. Rody Walker's vocals often stride the line between clean and screams, matching the smooth/grating sliding scale on the accompanying guitarists Tim Millar and Luke Hoskin's riffs. The 80s-hairmetal vocal flourishes that made Fortress's "Sequoia Throne" stand out from more typical breakdown-heavy metalcore that's sprung like daisies in the past five years or so add an even more flavorful layer to Scurrilous than in their debut. While the guitars are solid and often command more attention than the vocalist, like in many metal bands, they don't spill into sprawling solos that some prog bands often do. Scurrilous's often campy lyrics and vocal style, in addition to the fast pacing of the instrumentals, can invoke the cartoonish, and may be suitable for proggers with shorter attention spans. Prog metal for the internet age! like the guitars up and down the frets, Walker's vocals slide back and forth from the smooth clean singing to the more grating screams, with varying degrees in between. Walker's lyrics also help set the band apart, with such comical verses as the following from "Sex Tapes": "The Jonas generation's got rings wrapped 'round their dicks/The whole world waits with patience for one of them boys to slip" In addition to the clever use of rhyme, the lyrics have come comedy aspect to them, making the music more fun than a bummer (but still awesome) and the vocals create the over-the-top theatricality of the lyrical themes. I daresay it's poetic. The best songs, though, slow down and take a breath. Perhaps because I like the occasional clean vocals in heavy music, but when Walker breaks into full-on melodies and the rhythm slows down, I'm ready to sing myself. There are many hallmark signs that a musician has effectively engaged the listener: headbanging, toe-tapping, air-guitaring or -drumming, lip-syncing, or (in certain circumstances) singing or dancing. Protest the Hero makes me want to do all of these things. Their riffs and refrains are catchy as fuck. There is no question that these guys know their shit: the guitars are so fast I imagine that it would be difficult for an amateur to keep up with them. In another comparison to Fortress, Scurrilous sounds better produced and mixed, lending to a higher-quality, better-blended sound (or maybe it was just my shitty copy of Fortress). Because nothing's perfect (example: the guitars can overwhelm the other musical contributors), I give it a nine out of 10 stars: their best album yet.