Part of what makes this novel great is its over-the-top portrayal of advertising, celeb-politicians, and what I call "brand-masking" (the practice of making up a sillier version of a real-world product, place, or person, to avoid lawsuits or just for fun). But these are often staples of comic YA entertainment, camp and all. What really stands out about this novel was its fairly diverse range of characters and the thoughtful, progressive ways in which their issues were addressed. All the surviving girls confronted the limitations society imposed on them because of their gender, and they learned to be more tolerant and comfortable with who they are. There was also very little girl-girl rivalry, even when hot TV pirates were introduced.
Plus, each of the nine main characters (in addition to the five supporting girls) experience significant change/growth as people as a result of this experience, each going beyond what they all learned collectively and according to whatever issues/prejudices they came to the island with. Also, they don't all get boyfriends, and are happy with that. This sort of honest and thoughtful inclusion of feminist issues is not very common in YA lit, and it's great to see a novel that goes beyond the mainstream. The climax/ending are Teen-TV silly, but this is a comedy for teens we're talking about here.
That said, this is a perfect novel for a feminist reader in need of beach reads--or even for someone who could use some entertaining enlightenment (perhaps an aspiring beauty queen?). If YA that pokes fun at the very things that target this demographic are your thing, then you'll also enjoy it. I give it a (fairly generous) 4/5.
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