Wednesday, December 18, 2013

Madoka Magica: Another Anime Review

I don't really watch anime anymore. I used to be a big fan of the genre, back when I was into cartoons in general. Only, it was certain kinds of anime that got my attention. Y'all can keep your Dragonball and Mobile Suit Gundam. Sailor Moon was my gateway drug, and defined my taste in the burgeoning offerings from Japan. Most of the ones I got into, therefore, are about girls with powers. But after a while it became more of a hassle and everything started seeming like the same old, same old, so I lost interest. But I'm not totally against getting into new stuff.

Someone on the internet alluded to Madoka Magica, and it piqued my interest. The Wikipedia summary blew me away, and when I saw the entire series was available for free on Hulu, I was like, "I have to watch this!" And... it is FUCKING AMAZING.


The Wikipedia entry contains some spoilers, but it only intrigued me further. Like a lot of the anime I've enjoyed in the past, it's part of the magical girl genre, tropes and all. But you ain't never seen a magical girl anime like this before. This anime is dark, and an ominous atmosphere is present right in the beginning, before we technically know that something is off. Don't let the overly simplistic character designs fool you about the animation, either: it is at times strange, creepy, gorgeous, seizure-inducing, and experimental. There's not stock footage in use at all.

The story hinges on the protagonist Madoka's decision whether to become a magical girl. The current magical girl of fictional city Mitakihara, Mami, shows the ropes of being a magical girl to Madoka and her best friend, Sayaka. Meanwhile, a mysterious transfer student (another magical girl archetype), Homura, seems intent on preventing Madoka from becoming a magical girl at all costs. But fighting witches couldn't be that bad, right? (It only gets trippier, darker, and spoilery from there)
I've never seen a stare so sinister
 All the tropes are there: the protagonist is rather unexceptional in every way except for her kindness and compassion and capacity to believe, the magical girls wear elaborate, feminine costumes in themed colors, there's a magical creature companion who is more than what he seems, the source of their power resides at an emotional core, of sorts, and there comes a time when our heroine has to save the world. However, most of these are turned absolutely upside down and inside out. The main character doesn't become a magical girl until the end, and you absolutely don't want her to do it. One could even argue that Madoka isn't the protatgonist, but Homura, who makes the story possible, is the true protagonist (or at least a co-protagonist). Either way, you end up cheering for them both, and hope they manage to defeat Kyubey and change their fate.


Sunday, December 8, 2013

Success Somewhere Else: Five Star Billionaire by Tash Aw

We hear a lot of things about China, from its oppressive government to how it's going to take over the world (wouldn't count on that). But there is another way to understand what's happening in China, and that is to read the stories of people who actually live there. Oppressive the government may be, but it is one of the more economically prosperous countries in the Asian continent. Tash Aw's place story Five Star Billionaire accounts for a more nuanced perspective on the way life is in modern China, especially city life.

The five characters who come to Shanghai, China's largest city and the most populous city in the world, each want a chance to succeed in ways familiar to Western audiences. The Chinese economy is fully capitalist, and the protagonists' goals start out, at least, as purely material. But committing oneself to the capitalist agenda casts out the virtues of humanity that these characters, one by one, realize they have lost, perhaps irrevocably. In this entangled narrative, Aw shows us that capitalist ideology has the same effect here, to the detriment of the environment and humanity, in the most effective way possible: through small, individual stories.


The tale starts out strong, with an immersive introduction to Phoebe, one of two heroines in the book...though none of the characters can hardly described as heroic. She's an illegal immigrant but desperate to achieve materialistic and romantic success, expressed beautifully in a scene with a wealthy-looking young couple. This first chapter, which weaved in backstory with a wonderfully immersive scene, hooked me immediately.

The other characters, however, had less gripping introductions, Aw dropping the backstory almost all at once for the rest--most notably, Justin and Gary. Justin is the heir and proprietor to the massive family business of LKH Holdings, but we come in just before the moment of collapse. Gary ends up having a similar breakdown and drastic change of fortune, except he's a famous pop star, having won the genetic and marketable talent lottery, who ends up resenting his own fans and hating fame. The other female protagonist, Yinghui, is a successful businesswoman, but is feeling the stigma of being a "leftover" woman. Her introductory chapter is also excellent.

There is a fifth protagonist, who reveals his backstory slowly, recounting moments in his youth and more recent history to give us hints of his true motivations for success, remaining an ever-mysterious figure even as he enters the narratives of the other characters. And the reason why he is so successful may surprise you.

Naturally, as a lot of these novels go, the characters' lives each intertwine at one point or another. In a few cases, it's unknowingly, but we, the reader, are clued in. Seeing how these characters' lives connect is part of the fun in reading, so I won't reveal to much plot, but they all have a few things in common: they all are not native Chinese (all except Gary are from Malaysia), they all have achieved financial success (except for Phoebe, who manages to get there through deception), and they all are lacking in the personal life department, as none of them are married or have steady relationships. In the end, they all feel empty inside, as it turns out that financial success alone does not complete one's life.

The characters are also very calculated in their interactions with most of the people they meet, figuring out how they could use the other person and how the other person could use them. Often, the characters lie their way into success and out of sticky situations, and when they're finally honest with someone else, they get burned in the end. The culture of Shanghai seems to compel them to act this way, and the characters fail hard before they learn from their mistakes and move on to find true happiness.

The plot may appear cliched, but the different setting and culture gives the story a freshness that it may not have in a Western setting. Setting is important in this story, as well, and it is richly depicted in the prose description and characters' colored points of view. However, the women characters became engaged in stereotypically feminine behaviors that does not occur likewise for the male characters and I can't help but cry bias. I got tired of Phoebe's relentless pursuit of men, when I wasn't all that clear on what it was that she really wanted, and Yinghui's growing interest in dating made me sigh and roll my eyes occasionally. Other than that, however, the narrative hardly annoyed me.

Overall, this story is an engrossing portrait of the capitalist dream in Shanghai, which will chew you up and spit you out just like in pretty much every major city in the world. You may be able to save face, but only if it's not too late. Four out of five stars.